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Black Sabbath Vol. 4

Black Sabbath Vol. 4

Year
Genre
Label
Warner Bros. Records
Producer
Black Sabbath

Album Summary

Black Sabbath Vol. 4 came roaring out of the darkness in September 1972, born from one of the most turbulent stretches in the band's already volatile existence. Recorded at Record Plant Studios in Los Angeles with the band themselves at the production helm — a first for Sabbath — this record carries the raw, unfiltered weight of four young men deep in the grip of excess and personal turmoil. Released on Vertigo Records in the UK and Warner Bros. in the United States, Vol. 4 found Ozzy, Tony, Geezer, and Bill pushing their sound into strange new territory, stretching beyond the blues-drenched doom of their earlier work into something more expansive, more cinematic, and in many ways more haunted. The cocaine and chaos that surrounded these sessions didn't sink the ship — somehow, impossibly, it gave the music a desperate, burning urgency that you just cannot manufacture.

Reception

  • Vol. 4 debuted at number 8 on the UK Albums Chart and climbed to number 13 on the Billboard 200 in the United States, confirming that Black Sabbath's audience had only grown deeper and more devoted.
  • Critics at the time were divided, with some dismissing the album's density and murk, but the years have been extraordinarily kind to Vol. 4 — it is now widely regarded as one of the definitive heavy records of the 1970s.

Significance

  • Vol. 4 marked a pivotal creative leap for Black Sabbath, demonstrating that the band could stretch their heaviness into unexpected emotional territory — from the crushing thunder of Supernaut to the achingly tender balladry of Changes — without ever losing their dark, singular identity.
  • The album's self-produced rawness and lyrical immersion in addiction, despair, and altered states laid foundational groundwork for doom metal, stoner rock, and countless heavy subgenres that followed in the decades to come.
  • Snowblind stands as one of the most unflinching artistic documents of substance abuse in all of rock history, a track so nakedly autobiographical that the band's label reportedly pushed back against its inclusion — making its presence on the final record all the more powerful and defiant.

Samples

  • Supernaut — one of the most sampled tracks on the album, with its iconic drum and riff passages drawn upon across hip-hop and electronic music, most notably interpolated and referenced in works connected to the industrial and dance music underground.
  • Changes — the piano-driven ballad has been sampled and interpolated by hip-hop artists, with the most prominent use being the 2003 track by Ozzy Osbourne and Kelly Osbourne which brought the song's melody to a new generation.

Tracklist

# Song BPM Preview Time
  1. A1 Wheels Of Confusion 116 YouTube 8:00
  2. A2 Tomorrow's Dream 110 YouTube 3:08
  3. A3 Changes 81 YouTube 4:41
  4. A4 FX 157 YouTube 1:41
  5. A5 Supernaut 120 YouTube 4:43
  6. B1 Snowblind 117 YouTube 5:28
  7. B2 Cornucopia 143 YouTube 4:52
  8. B3 Laguna Sunrise 81 YouTube 2:50
  9. B4 St. Vitus' Dance YouTube 2:25
  10. B5 Under The Sun 99 YouTube 5:52

Artist Details

Black Sabbath rose up out of Birmingham, England in 1968 like a storm cloud rolling in over the industrial Midlands, four working-class cats — Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward — who took the blues, slowed it way down, and wrapped it in something heavy and dark that nobody had ever quite heard before, essentially birthing heavy metal right there in the heart of England. Their ominous guitar riffs, thunderous rhythms, and lyrics drenched in occult imagery made the establishment nervous and the kids absolutely wild, and albums like *Paranoid* and *Master of Reality* became the sacred texts of a whole new generation of musicians who would carry that heavy torch forward for decades. Black Sabbath's influence stretches so deep and so wide that it's nearly impossible to overstate — virtually every hard rock and metal band that came after them owes something to those four brothers from Birmingham who dared to make music that sounded like the world was ending.

Artist Discography

Vol 4 (1972)
Heaven and Hell (1980)
Mob Rules (1981)
Born Again (1983)
Seventh Star (1986)
The Eternal Idol (1987)
Headless Cross (1989)
TYR (1990)
Dehumanizer (1992)
Cross Purposes (1994)
Forbidden (1995)
13 (2013)
Studio Outtakes 1969 (2024)

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